Digital Animation Bible Creating Professional Animation With by George Avgerakis

By George Avgerakis

This name offers with: easy methods to pick out and use the suitable software program to your animation wishes - covers leaders Lightwave, Maya, and Flash; the best way to create and execute tricky storyboards; personality rendering; and lights in three-D animation.

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Frank’s new job was as a technical director of animation on a new Saturday morning children’s series. His new duties include managing five animators and two interns, the specification of new equipment purchases, equipment maintenance, and creative direction. Although Frank had made about $35,000 in his first year at Magic Lantern, his new salary started at $50,000 with two weeks’ paid vacation, as well as medical and retirement benefits. Eight months after Frank started his new job, he was given an 8 percent raise.

Eight months after Frank started his new job, he was given an 8 percent raise. A Midsize Disney Subcontractor Antonio “Tony” Bryant was a senior at the Pratt Institute when the school’s internship placement office sent him to an interview at Cartoon Pizza in Manhattan. Cartoon Pizza creates animation for a wide variety of broadcast clients, one of them being the Disney Channel. When asked to show his portfolio, Tony opened up a book that was divided into several useful categories of commercial art.

The money-back guarantee idea worked just fine and I ended up with a string of corporate clients who were delighted to learn about a new computer that could give them TV-commercial-quality animation at an affordable price. Because my computer cost 25 percent of what the large animation studios were paying, I could carve myself a nice niche, make good money, and never have to spend a cent courting the TV commercial market. The lesson of this part of the story: Find a niche and serve it with pride.

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